Saturday, November 21, 2009
Saul Bass, May The Force Be With You
Maybe you've seen this one a million times, but (for me at least) it never gets old. Someone in our galaxy with excellent taste decided to reinterpret the opening title sequence from Star Wars in the style of the late, great Saul Bass (with a Buddy Rich soundrack as an added bonus).
Not familiar with Saul Bass? Check out a great round-up of some of his better known animations here.
Wednesday, November 18, 2009
what i am in love with right now
Monday, November 16, 2009
lost & found

One of my favorite children's books - Lost and Found - was made into a short film by StudioAKA.
It looks soo amazing. I love how they stayed true to the original illustrations by Oliver Jeffers. I wish I could make it to this screening tomorrow the 19th at the American Cinematheque.
I also wish I had a pal dvd player, so I could just buy it.
15 Questions about Art :: Sean U'Ren

Sean U'Ren grew up in the town of Mineral Point, Wisconsin and has been variously employed by Pizza Hut, Hardees, a few coffeeshops, a watch sales company, a telemarketing company, a Mexican restaurant, a slew of post production houses and a large agricultural company that sends kids out into the cornfields for hours of torturous labor.
He likes writing, reading, making and eating pizza, walking around on cold floors in bare feet, drinking coffee, traveling and all the usual crap. He has some survival skills but whomever heads toward him in a time of emergency expecting to buddy up should probably think twice. Don't try and stop him when he climbs trees, just let him go to it - he'll eventually fall and then that will be that.
***
What is your earliest art-related memory?
Listening to De Doo Da Da with a babysitter. I may have been about
Who has had the greatest influence on your work?
Whoever invented trees and sunlight.
What are the main tools of your craft?
The words I have collected right up til this point in my life. Pictures that inspire me. Music that inspires me.
Walking around is a
Is a formal education important?
Yes, absolutely. Later, though, you'll probably set it all on fire,
What is the biggest misconception about art?
That anything less than something that grabs you by the throat and
Which is more important in art - concept or execution?
All art is execution. But concept makes for more interesting dinner
What is the overall theme or aesthetic are you most drawn too?
In writing: Curiosity. A hero's quest for their parent's origins.
What is your favorite piece of art in your home?
A pen and ink drawing of Sam Winchester from Supernatural with a
If you could collaborate with anyone, living or dead, who would it be?
Bruno Shulz or Arvo Part.
Which emerging artist do you think more people should know about?
What has been your greatest achievement to date?
Making a short film my father and mother really enjoyed.
What has been your biggest roadblock?
A need for acceptance and validation.
How do you define success?
Feeling happy at the end of the working day and having an ice cold
What will be the name of your autobiography?
So Good
What is the best piece of art advice you’ve ever been given?
It doesn't matter how many steps it takes to finish what you've
***
15 Questions about Art is an ongoing series in which we ask our collective favorite artists, writers, musicians, sleepy dreamers and object makers from across the creative spectrum to give us a glimpse into how they perceive art through a standard set of questions.
Please check back next week for a fresh perspective.
Friday, November 13, 2009
The Balcony Project




Yesterday’s post about DIY art book publishing reminded me of a project by artist and graphic designer Mari Sheibley.
In November of 2008, Sheibley self-published a series of portraits taken of the visitors who shared conversations on her New York balcony over a 5 month period.
See selected images from the series here.
Additional images and the option to buy it here.
Thursday, November 12, 2009
So you wanna make art books?
Monday, November 2, 2009
Online Dives
An Interview with Dan Monick
Dan Monick's capacity for love is immense.
He loves his relationships - the good times and the trying ones, too. He loves inspiration, be it accidental or accidentally on purpose.
He loves old signage, ominous skies and foreign advertisements stapled in a noisy jumble of symbol and language to telephone poles. He loves objects so far removed from context that the meaning becomes lost in translation and the viewer is left with more questions with answers. He loves spinning a good story and using a photograph to tell it even more.
But looking at his most recent collection of work, it seems as if Dan Monick loves the quiet moments most of all - the ones that when strung together create the entire landscape of a life, but by themselves are fragile and fleeting. And all too often overlooked by the rest of us.
Dan Monick sits down with LittleBird Gallery to talk about all these observations and how they came together to create the narrative for his upcoming show.
***
LittleBird Gallery: Can you tell us about how the title for the show came about?
Dan Monick: My girlfriend [Catlin] and I were driving along and this Rod Stewart song came on - and funny enough, that’s where the title came from. But it seemed to have to do with everything going on… and then later when we were putting the images into sort of individual “chapters”, the theme pretty much showed up.
The last show [with Little Bird Gallery] was called “You Know Only You Can Break Your Heart” and this was sort of the next logical step.
LittleBird Gallery: When you are talk about chapters, do you see the exhibit as a whole telling a specific story?
Dan Monick: There’s no question I’m trying to tell a story - both through this and “Only You Can Break Your Own Heart” and to tell you the honest truth, they’re both about my girlfriend and our relationship. The previous show was the narrative about this two year period where we had broken up and the journey I went through in the time.
LittleBird Gallery: So this show is a continuation of that narrative?
Dan Monick: Kind of. It’s about what came out of that period; what I’ve learned since. Most of the images were actually taken with her nearby so, yeah; our relationship is really present through out.
Another part is that it’s a heavy nod to all the people in my life I have been influenced by. While I think everything is still shot very unconsciously, the trails and tribulations of the past few years put my brain into a spot where for the first time I could sort of consciously edit as I was going along.
For instance, this piece [an image of a table top at the end of a meal] was inspired by Steven Shore. I’d didn’t set it up on purpose but we were sitting there and I looked down and I was reminded instantly of this image [from the cover of one of his books] and so this was my little nod to him.
LittleBird Gallery: Commercially, you are known for your portrait work and yet the subject matter in this exhibit focuses on images of everyday objects - often in a state of disorder or decay, and almost always out of context.Dan Monick: The funny thing about portraits - because I have done portrait shows as well - is that people either identify with the images in a really hardcore way or not at all. So I very intentionally stayed away from portraits in this collection.
But I’ve always shot stuff like this - little narrative stories. When I’d started out I didn’t know much about Robert Frank who I later came to find out was known for this style that I’d [unknowingly] heavily borrowed from. And it was kind of weird that I’d always shot this way and really wild to find out that these guys were drawn to photographing the corer of the room too.
As I did learn about guys, like [William] Eggleston and Steven Shore, I didn’t want to shoot like them so much as I saw they had these amazing characters and I wanted to live in there lives. So it wasn’t so much about documenting my life as it was about creating a fantasy world that I wanted to live in.
LittleBird Gallery: One of my favorite images of the show is the man in the ticket booth. It seems to comprise elements of all of the themes you have running through the exhibit.
Dan Monick: That was taken at the Minnesota State Fair… well, I wont ruin it by telling you the back-story, but there is this image that I love and when I saw this moment, I knew I could recreate it.
So, it’s kind of like doing a cover song, you know? I have thought about this image through out my life and when I looked through the viewfinder and snapped the shot… Well, it’s not a copy - it’s not perfect - but you still get that feeling. It works.
LittleBird Gallery: You leave a lot up to the viewer in your images - and I almost don’t want to hear the stories behind them in order to have my own experience.
Dan Monick: Good! Along time ago I remember people would tell me that as an artist you have to do this and this and this in your work for the viewer to get it and my response was “fuck that”. That makes no sense to me.
It’s funny because I’ve always got a camera in my hands and the idea with a camera is to capture the moment where something happens. But if it makes more sense to me to show the moments around the action because then your letting the viewer sort of fill in the blanks with their own story.
And I think that’s kind of nice.
***
“Dan Monick: My Love For You Is Immense” opens Saturday, November 7th from 7:00 to 10:00pm at Grain : 3135 Glendale Blvd, Los Angeles, CA 90039 in back studio and continues until November 20 by appointment only.
Interview by Bri Ana Drennon
Photo credits: All images by Dan Monick.
Wednesday, October 28, 2009
sweet love

I know M already talked about Jeff Lemire on her blog - but I think he needs to be mentioned again. If you aren't reading Sweet Tooth go out and get the first two issues. {Issue #3 comes out next week on the 4th.} While you are at the comic store get Essex County. You will not be sorry. He's a little bit of magic.
Thursday, October 15, 2009
Krank Press at Theodore Payne
You can pick up some awesome treats like her produce calendar:
or her odd birds prints:
if you can't make the sale you can always get her wares on etsy.
Wednesday, October 14, 2009
This Thursday... Barn Salon #2
If you weren't on the distribution list for the last one, here's your chance to get in on the good times...This Thursday in Silverlake, Barn Salon is hosting their second event. The upcoming installment promises an evening of short films curated by Cole Akers, plentiful amounts of beer and better people watching than a Wes Anderson Fan Club meeting.
This coming Thursday, October 15th at 7:30pm
The Barn
748 Maltman Ave
LA, CA 90026
Monday, October 12, 2009
event today - Sejima@UCLA
image via http://www.bustler.net/
Monday, October 5, 2009
Thursday, October 1, 2009
a BIG disclaimer
Tuesday, September 29, 2009
We Want You!

The 12th annual SilverLake Art Crawl will take place Nov 7-8th.
Hello October

We’re back! In case you hadn’t noticed we’ve been on an extended summer break. Tough economic times had us making hard decisions about the longevity of the gallery and our place in the LA art scene. After some restructuring and re-focusing we found our way back to the original goal for starting LBgallery. To promote emerging and under recognized artists. We had always wanted to have more of a creative collaboration with our artists rather then just the run of the mill exhibition every month. It became more clear to us in these tough times that this is where we needed to focus our attention. Hence the start of LittleBird Limiteds. A series of art related projects. We’ve been hard at work gathering talented artists to take part in these projects and we thank all of them for their willingness to support us and our ideas.Now we ask that you support them! Have a look at our LB Limiteds page to read all about the exciting new projects going on and coming up.
Don’t worry, we haven’t abondoned our exhibitions all together. Instead of having one a month,we’ve decided to cut our show schedule to five a year and curate these shows offsite. This allows us greater opportunities to work closer with artists. As well as team up with other galleries and foundations to produce shows that are more thought provoking and relevant to the future of art. Our first show of Fall will be Los Angeles Photographer, Dan Monick.This is Dan’s second solo show with us.We look forward to exhibiting and working with one him.
We’ve revamped our website to reflect the new direction we are growing. A new inventory page where you can inquire about available works and prints.The LB Limiteds page will give you all the details about our new projects. Each month we will be featuring a new artist in our Print Lab and our new Quarterly Art Subscription will soon be available to purchase.This is a limited subscription and sales out fast. Our Bird Books will also be premiering this year. So check back and make sure you have joined our mailing list for updates! Also we’ve finally caved and joined FB, started a blog and are on twitter. So as you can see LBgallery is going strong and we thank all of you for support and we can not wait to see you all again in November for our opening with photographer Dan Monick.

